2023 Newsletter


SIR’s 2023 season is about collaboration and celebration, with two distinct and delightful productions: Twelfth Night, arguably Shakespeare’s finest comedy, is filled with revelry and longing; while The Dark Lady, a world premiere of a new work by Jessica B. Hill is a dynamic duet that dismantles our conventional views on Shakespeare through the perspective of poetess Emilia Bassano – the possible ‘dark lady’ that appears in his sonnets. 


This ‘digital newsletter’ is your invitation to become intimately acquainted with this season through audio interviews, web chats, playlists & more.


WELCOME TO OUR 30TH ANNIVERSARY SEASON!

 

SIR becomes a little older (a little wiser!) in 2023; and once the snow melts, we will again gather at the Ruins in the Spring for a double-bill presentation with two productions: TWELFTH NIGHT, by our good ole’ Will Shakespeare & THE DARK LADY, a new play by the brilliant Jessica B. Hill – who delighted Winnipeg audiences this Winter with her solo piece, PANDORA.


SIR continues to envision ways to challenge, celebrate, enshrine, and explode our perspectives on Shakespeare and what constitutes ‘the classical canon’ in the 21st century. As we enter this celebratory year, we remain in a delicate moment–culturally and historically–still inside uncertain times, but perpetually inspired to transform the theatre of the past into a dynamic experience of the Now, for you.


You deserve a big party too. Life has been a bit…much lately, no? There’s so much noise and distraction out there. Why not unplug this Spring, and join us outside, in nature, for that well-earned relief!


We can’t wait to see your smiles again under that gorgeous sky at the park. Let’s feel that joy, together.

Rodrigo Beilfuss, Artistic Director


Twelfth Night: The Director’s Chat


Director Christopher Brauer and SIR’s own Rodrigo Beilfuss nerd out on Twelfth Night, Shakespeare and Promenade Theatre.


Twelfth Night: A Playlist



SIR General Manager, Sara Malabar, former Toronto DJ and music programmer curates a playlist inspired by the themes and characters of Twelfth Night.


By Brandon Christopher, Associate Professor & Chair of the Dept of English at U of W


There’s an image near the end of the last issue of Neil Gaiman’s Sandman comic book series that features Shakespeare, alone in his study in Stratford, toiling away with his quill as he struggles to write The Tempest. It’s a familiar image: the author-as-genius struggling in isolation to capture his elusive muse, allowing it to speak through him as he writes.


The Dark Lady: Creation & Inspiration



Playwright and performer Jessica B. Hill and Dr. Katrina Dunn ( UofM Faculty of English, Theatre, Film & Media) take a deep dive into The Dark Lady’s creation process, and inspiration, poet and writer Emilia Bassano.


Reflections: The Dark Lady

Playwright Jessica B. Hill and director Rodrigo Beilfuss discuss the creation of the play and provide insight into Emilia Bassano, the closest contender for “the Dark Lady of the Sonnets.”


Previous Newsletters

April 15, 2025
SHAPING A NEW DESTINY Theatre is a conversation. As artists we are moved by a relentless desire to keep the conversation going. We wish to connect; to reach; to examine; to reveal; to poke; to provoke; to feel… I have recently learned from poet David Whyte that the word ‘conversation’ comes from Latin: “converse/to turn about/inside out”. It’s a gorgeous concept; a conversation is turning things inside out. The whole point of what we do in the theatre is to inhabit someone else’s perspective; to learn about somebody else’s experience; to turn ourselves inside out, and in turn, we turn YOU inside out. What a stunningly hopeful thing theatre is, when one really thinks about it… Our trade is an incredibly challenging and economically precarious one, but so vital – particularly considering how the world has transformed itself in the last two decades. We have expanded into a “global village” and lost the immediacy of community, and we are now dealing with the consequences of that expansion as our conversation breaks down. We seem to be stuck; hoping and waiting, like characters in a Beckett drama. How do we heal from that? It is time to turn ourselves inside out again. It’s time to dare to share our desires and vulnerabilities without fear – it’s time we wrote a new story for us; a new story for humanity that values collective intimacy and community above all; a new destiny! MACBETH and WAITING FOR GODOT were written so long ago. And yet here we are, turning them inside out, yet again; trying to once again make sense of what they were saying when they were first written, and finding new meanings and connections for them now – and in that way, we are reshaping those plays (and ourselves) for the future. I’ll see you at the park for a great conversation!
December 15, 2024
I hope you’re ready for a proper great time.  At SIR we believe that Joy is vital to navigating a persistently volatile world, a “distracted globe” – as Bill once wrote. This season promises a restorative time in nature, as your ears are tickled by beautiful, transformative language; and your senses are reawakened to serenity and wonder! Our choices for the upcoming season embrace the theme of transformation. These plays celebrate our ability to adapt, to embrace magic and storytelling, and to ultimately change, as individuals and communities. My fellow (but much more famous) South American, the revolutionary Che Guevara once said: “let the world change you, and then you can change the world”. I love this quote because it implies a surrender – a leap of faith. In other words: magic. It is an invitation for us to be open and to stay curious about the possibilities and surprises of life. For the first time since 1995, A Midsummer Night’s Dream will return to the Ruins and deliver that much-needed jolt of magic you’ve been craving. Playing in repertory alongside Dream, we will once again celebrate a new Canadian play: Iago Speaks , by Saskatoon’s incredible Daniel Macdonald. This cheeky and highly intelligent sequel to Othello isn’t afraid to ask the big existential questions that haunt us – and it does so with a spectacular sense of humour and charm. Join us at the Ruins this summer to have your expectations both shattered and met! Be surprised, puzzled, delighted and ultimately… Be transformed.
April 26, 2022
2022 Newsletter
April 20, 2021
2021 Newsletter
April 11, 2019
2019 Newsletter
April 30, 2018
2018 Newsletter
April 20, 2017
2017 Newsletter
April 20, 2016
2016 Newsletter