
2019 Newsletter

April 11, 2019
Artistic Director Michelle sits down with newest staff member Q: What is your background? A: I have a masters in Creative Writing from the University of Manitoba. Q: Have you ever been published? A: Yes, I have a novella titled Gaze which has been published and I also edited a horror anthology called The Shadow over Portage & Main. Q: What compelled you to apply for the Assistant GM job? A: I had one part time job in another arts organization and need a second one. I wanted to stay in the arts sector and the job at SIR seemed like it would be interesting. As I already knew all the office stuff it was a good fit. Q: Have you ever tread the boards? A: (laughs) Does that mean to perform? Well no. But I was in a couple of bands; Blown Up Friend and Face Your Destroyer so I think that counts. I would describe them as alternative prog- metal*. (Michelle has no clue what this is….she first wrote it down as Prague-metal) Q: What is your favourite Shakespeare play? A: I love Merchant of Venice because it is grim and has one of the best speeches in “hath not a Jew hands” Q: Describe Artistic Director Michelle Boulet in one sentence. A: She always enters and leaves the room in a flurry but she totally gets things done. Q: Describe General Manager Lisa. A: She is the organizer of all the flurry. Q: You have now been here just over a year. What have you learned? A: I have learned what ‘tread the boards’ mean….also just how much effort it takes to put on an SIR show. Q: What is your favourite thing about SIR? A: The people! (Michelle gives an aww shucks) * a fusion genre melding heavy metal and progressive rock that combines the loud “aggression” and amplified guitar-driven sound of the former with the more experimental, cerebral or “pseudo-classical” compositions of the latter. Keith’s position made possible through funding from The Winnipeg Foundation

April 11, 2019
Following the success of our Stratford raffle last year, we decided that we would send two lucky SIR supporters to Vancouver this summer to take in Bard on the Beach. Thank you so much for everyone who purchased a ticket and we hope you do so again. Proceeds go towards our outreach programming. Help us share our passion for Shakespeare widely. Prize: Trip for two to Bard on the Beach in Vancouver, British Columbia! Prize includes: Round trip airfare for two Three nights accommodation Three pairs of tickets to 2019 Bard on the Beach productions $500 spending money four day car rental The draw will take place on Saturday, June 22nd, 2019 during the intermission of Hamlet at the Trappist Monastery Provincial Heritage park. Winner does not have to be present at the draw to win. Trip must be booked before September 1st, 2019. Raffle tickets $25 contact admin@sirmb.ca or call 204.957.1753 for tickets.

April 11, 2019
“Dost thou think because thou art virtuous there shall be no more cakes and ale?”–Sir Toby Belch. Twelfth Night We’d like to give a big SIR welcome to our newest sponsor Little Brown Jug! We’re thrilled to have them on board as our Official 2019 Beer Sponsor. What you may not know is that SIR, LBJ and Shakespeare have a connection going back over 20 years. SIR General Manager Lisa Nelson-Fries and LBJ owner and founder Kevin Selch were friends in high school. They played Viola and Orsino in Westwood Collegiate’s 1997 production of Twelfth Night. Included is a photo of them from that production. Since opening in 2016 Little Brown Jug has been a faithful ally of the arts in Winnipeg supporting a wide variety of events and organizations both large and small. SIR is proud to be part of that list.

April 11, 2019
Some sessions are easier than others. Sometimes everything runs smoothly. We come, we laugh, we play, we explore. And sometimes it feels hard. Class after class cancelled due to lockdowns. Having to advocate for the smallest things, like a pot of coffee for break time. Sometimes I am so aware that I get older, and they stay the same age. Young men – most of whom have already spent the majority of their lives on the inside, locked up, away from their mothers and sisters and children and partners. There are days I want to cradle their bruised faces in my hands and ask “Who did this to you?” But we go forth. We come together in spite of the obstacles. We build new relationships within a static and cold structure. We find a way to identify ourselves differently – as artists, as creative beings, as peers, part of a team. This year we focused on Julius Caesar – a request from a previous participant who has since been released after serving a life sentence. Seven guys completed the program. One was thrown in the hole the morning of the performance. The other six presented a monologue in front of ensemble members and staff from SIR, their teachers, parole officers, and the warden and assistant warden. Two of the participants will be released within the week. And in the spring we will begin again – renewed by the possibility of laughter, and play, and exploration, and connection – forever grateful for the opportunity to expand these prison walls.

April 11, 2019
Why we donate…Maggie Nagle’s show-stealing nurse in Romeo and Juliet, Derek Aasland’s Puck dropping out of a tree before our eyes, Megan McArton’s Prospero conjuring up the Great Globe by glimmering firelight, Graham Ashmore’s world-weary Jacques (all the better for the tights), Stephen McIntyre’s cowboy Petruchio, Cory Wojick’s Bottom and his endless death scene, Sarah Constable’s raging Timon: we’ll stop here, but, like Bottom’s Dream, our list of the unforgettable performances we have witnessed at Shakespeare in the Ruins “hath no bottom.” We are eternally grateful to have been granted the opportunity to share in these moments. We also know that artists – those who perform and those who work behind the scenes – are the real patrons of the arts. The donations we have made over the years to SIR amount to a small payment to a debt that can never be fully redeemed. Doug Smith and Sandra Hardy
Previous Newsletters

April 15, 2025
SHAPING A NEW DESTINY Theatre is a conversation. As artists we are moved by a relentless desire to keep the conversation going. We wish to connect; to reach; to examine; to reveal; to poke; to provoke; to feel… I have recently learned from poet David Whyte that the word ‘conversation’ comes from Latin: “converse/to turn about/inside out”. It’s a gorgeous concept; a conversation is turning things inside out. The whole point of what we do in the theatre is to inhabit someone else’s perspective; to learn about somebody else’s experience; to turn ourselves inside out, and in turn, we turn YOU inside out. What a stunningly hopeful thing theatre is, when one really thinks about it… Our trade is an incredibly challenging and economically precarious one, but so vital – particularly considering how the world has transformed itself in the last two decades. We have expanded into a “global village” and lost the immediacy of community, and we are now dealing with the consequences of that expansion as our conversation breaks down. We seem to be stuck; hoping and waiting, like characters in a Beckett drama. How do we heal from that? It is time to turn ourselves inside out again. It’s time to dare to share our desires and vulnerabilities without fear – it’s time we wrote a new story for us; a new story for humanity that values collective intimacy and community above all; a new destiny! MACBETH and WAITING FOR GODOT were written so long ago. And yet here we are, turning them inside out, yet again; trying to once again make sense of what they were saying when they were first written, and finding new meanings and connections for them now – and in that way, we are reshaping those plays (and ourselves) for the future. I’ll see you at the park for a great conversation!

December 15, 2024
I hope you’re ready for a proper great time. At SIR we believe that Joy is vital to navigating a persistently volatile world, a “distracted globe” – as Bill once wrote. This season promises a restorative time in nature, as your ears are tickled by beautiful, transformative language; and your senses are reawakened to serenity and wonder! Our choices for the upcoming season embrace the theme of transformation. These plays celebrate our ability to adapt, to embrace magic and storytelling, and to ultimately change, as individuals and communities. My fellow (but much more famous) South American, the revolutionary Che Guevara once said: “let the world change you, and then you can change the world”. I love this quote because it implies a surrender – a leap of faith. In other words: magic. It is an invitation for us to be open and to stay curious about the possibilities and surprises of life. For the first time since 1995, A Midsummer Night’s Dream will return to the Ruins and deliver that much-needed jolt of magic you’ve been craving. Playing in repertory alongside Dream, we will once again celebrate a new Canadian play: Iago Speaks , by Saskatoon’s incredible Daniel Macdonald. This cheeky and highly intelligent sequel to Othello isn’t afraid to ask the big existential questions that haunt us – and it does so with a spectacular sense of humour and charm. Join us at the Ruins this summer to have your expectations both shattered and met! Be surprised, puzzled, delighted and ultimately… Be transformed.

December 15, 2023
2023 Newsletter SIR’s 2023 season is about collaboration and celebration, with two distinct and delightful productions: Twelfth Night , arguably Shakespeare’s finest comedy, is filled with revelry and longing; while The Dark Lady , a world premiere of a new work by Jessica B. Hill is a dynamic duet that dismantles our conventional views on Shakespeare through the perspective of poetess Emilia Bassano – the possible ‘dark lady’ that appears in his sonnets. This ‘digital newsletter’ is your invitation to become intimately acquainted with this season through audio interviews, web chats, playlists & more.






